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Creative Sound Blaster X1 Review
A solid inexpensively priced DAC from Creative
In This Article
Verdict
The Sound Blaster X1 is a solid, inexpensive, and versatile DAC from Creative that boasts a clear and detailed performance with whichever headphone it’s partnered with. The Super X-Fi tech is more miss than hit, and the EQ options don’t always have as big an effect on the sound but regardless the X1 delivers a consistent experience.
Pros
Cons
Key Features
Introduction
Creative has had a long presence in the audio market and the Sound Blaster X1 acts as one of its affordable solutions for improving sound quality.
Audio is consumed in various ways, from laptops, tablets, to smartphones, but often we connect our headphones directly to a device, meaning most aren’t aware the sound could be improved with just one small device.
And that is what Creative’s Sound Blaster X1 looks to do, not just for music but for watching movies, taking video calls, and playing games – a jack of all trades at a low-cost price.
Design
The mass of the main casing is light (15g), the first sign of its rather humble asking price, but the construction here is good enough – it’s not overtly plastic or cheap in appearance. It is bigger than theTHX OnyxorEarmen Eagle, but that’s because it comes with onboard buttons.
There is a multifunction button (play/pause as well as mute on/off), volume control and activation of the Super X-Fi feature, all of which provide nice, clicky feedback when pressed and I’ve had no compatibility issues using them on Android, iOS, and Windows PC devices.
There’s a nice glossy finish to the Super X-Fi button that also helps in locating it. The lettering on the housing is in gold which gives a nice look against the black background. The silver trim at either end also adds a nice touch. There’s a little LED light next to the X-Fi button that indicates whether X-Fi mode has been activated or not.
At one end is a USB-C port and at the other is a 3.5mm headphone out. The former is for attaching a USB-C to USB-C cable to connect and power the Sound Blaster X1 and is the only means of connection as there’s no USB-A attachment provided.
Features
Like a number of Creative’strue wirelessandfull-sized headphones, the Sound Blaster X1 supports the company’s X-Fi holography technology. This upmixes stereo content into virtualised 3D sound to give the effect of audio appearing around the wearer. It’s supported across PC, Mac, PS4,PS5, andNintendo Switch, though as far as I can tell the PS4 doesn’t have a USB-C connection…
Powering the performance is an AKM 4377 DAC that supports up to 32-bit audio, though the Sound Blaster X1’s max sampling rate hits a ceiling of 24-bit PCM up to 96kHz.
Frequency response is 10 – 20kHz and Creative says the DAC can drive headphones up to 600 ohms. There’s no support forMQAor other hi-res audio formats.
There are two apps, the main one being the Creative app that’s available on PC and Mac. Here is where the performance can be customised. You can switch between different sound modes, including ones built specifically for games such as Fortnite and Overwatch, as well as music and movie EQ settings.
The Acoustic Engine feature is essentially enhancements by another name, offering a choice on whether to focus on voice, increase or decrease the bass, improve vocal clarity, and enhance virtual surround sound, of which the Sound Blaster X1 claims to be able to create up to 7.1 channels.
Crystal Voice aims to enhance the clarity of calls with its two-way noise-cancellation that removes unwanted noise, though this feature is only for Windows PC and Mac. Scout Mode is a gaming-focused feature that highlights detail so you can hear more of your surroundings, like the footsteps of a player behind you. To me that sounds like cheating.
The other (embedded) app is concerned with the Super X-Fi holographic audio where you can download and mate your listening profile to the Sound Blaster X1.
Sound Quality
As far as the benefits of plugging in the Sound Blaster X1, it is a solid but unspectacular performance. If all you’re after is a greater sense of detail and an expanded soundstage, that’s exactly what the Sound Blaster X1 provides.
A listen to the Mrs Coulter track from Alexandre Desplat’s Golden Compass, the Creative treats the tinkly piano notes delicately, the trailing edges of treble notes hang in the air, nicely fading away. Shifts in the dynamic range are handled astutely, with a nice weight to the booming string instruments that immediately settles down, the jump between loud and quiet is handled well.
With Lee Scorsbee’s Airship Adventure I find myself wanting to turn the sound up even louder (in a good way). There’s a clean, precise tone to the string instruments, with decent weight provided to the percussion – I could want for a little more depth to the low end of the frequency range, but the balance achieved is good with no one aspect of the frequency range hogging the limelight.
The tone of the Sound Blaster X1’s performance does depend on the headphone it is partnered with. With aSivga Robin SV021over-ear it sounded lean, crisp, and quite sparing, especially with the midband of frequency range. A high impedance headphone in theSivga SV023(300ohms), and the Sivga asserted its own presence with more warmth to low frequencies, with smoother vocals smoother too; while with a pair of Meze Classic 99, and the sonic signature of the headphones was mostly unruffled.
The Creative Sound Blaster X1 doesn’t seek to transform the soundstage as such, simply to feed music with a finer sense of detail, clarity, and expansion. Beyond that it is not the most adventurous-sounding DAC – it doesn’t attack Detach from Interstellar with much zeal – the Creative seems comfortable with literally amplifying what’s there rather than ‘tampering’ with it.
With Kendrick Lamar’s United in Grief from Mr. Morale & The Big Steppers, the midrange is supplied with good clarity – I can hear every word of Kendrick’s fast-pitched rhymes with clarity – bass is punchily described and never overbearing, while the Sound Blaster X1 preserves a good rhythmic flow with the constant drum beat in the background.
With other tracks from the album – N95 and Die Hard – there’s more body to the bass but the tight and taut sense of punchiness remains, with the bass adding to the energy levels of Die Hard in particular.
Phoebe Bridger’s vocals in the Stranger in the Alps album are ably elevated above the rest of the instrumentation. The Creative enlarges and extends the size of the soundstage, bringing her vocals closer to the ear and digging out a little more detail from her soft vocal intonations. The small details missed listening through the 3.5mm jack have a greater presence on the Sound Blaster X1.
With aniPad Proand podcasts at the ready I found the Sound Blaster X1 provides clean and clear performance with vocals, along with decent weight to bass, spacious soundstage, and natural tone. You can expect the same with video content – watching Seinfeld onNetflixand Silo onApple TV+(with a good weightiness to the Apple TV logo). It’s consistently clean, clear, and detailed.
The virtualised 5.1 and 7.1 doesn’t yield the performance I’d have thought, at least with YouTube videos and PC gaming. It is spacious but I can’t decipher much difference in terms of where the sound is coming from or positioned.
Switching to Super X-Fi, there’s a larger sense of distance in relation to foreground and background sounds, and it doesn’t unduly alter the tone of the characters’ voices. I find the bassy register of Common’s voice is a little stripped away though, music is more distant and with bass the part of the frequency range that’s most affected.
Swapping between Super X-Fi and the stereo with music and I prefer the latter over the former. The way X-Fi renders music often sounds artificial and positioned in front of the listener rather than wrapping around, whereas stereo is wider and expansive.
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Should you buy it?
To clean up audio at an inexpensive price: TheSound Blaster X1 does a solid job in providing clearer, cleaner, detailed sound.
If you want better performance:It’s half the price of an admittedly higher spec (and music focused) DAC likeEarmen Eagle, but the Eagle is a step up in terms of clarity, detail, and sharpness.
Final Thoughts
Who needs a portable DAC? The answer is anyone and everyone who listens to music frequently. Do you need the Creative Sound Blaster X1? If you’re after a DAC that offers a consistent performance at a very affordable price, then possibly.
The amount of customisation it offers is welcome, though I’d question whether some EQ options have that big of an effect. It could also be used as a mic with headphones to clean up audio or for video calls, so it has multiple strings to its bow.
I still find the Super X-Fi more miss than hit but it’s not an essential. The Creative Sound Blaster X1 is a solid, inexpensive DAC for music, movies, gaming, and video calls that’s a step up from an internal DAC of laptops and smartphones.
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We test every DAC we review thoroughly over an extended period of time. We use industry-standard tests to compare features properly. We’ll always tell you what we find. We never, ever, accept money to review a product.
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Tested across several weeks
Tested with multiple sources
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FAQs
The Sound Blaster X1 isn’t part of the certification programme Microsoft has for licensed products, so it’s unlikely to work with any Xbox console.
Full specs
Kob began his career at What Hi-Fi?, starting in the dusty stockroom before rising up the ranks to join the editorial and production team as the Buyer’s Guide editor. Experienced in both magazine and …
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We also expect our journalists to follow clear ethical standards in their work. Our staff members must strive for honesty and accuracy in everything they do. We follow the IPSO Editors’ code of practice to underpin these standards.
Why trust our journalism?
Founded in 2003, Trusted Reviews exists to give our readers thorough, unbiased and independent advice on what to buy.
Today, we have millions of users a month from around the world, and assess more than 1,000 products a year.
Editorial independence means being able to give an unbiased verdict about a product or company, with the avoidance of conflicts of interest. To ensure this is possible, every member of the editorial staff follows a clear code of conduct.
We also expect our journalists to follow clear ethical standards in their work. Our staff members must strive for honesty and accuracy in everything they do. We follow the IPSO Editors’ code of practice to underpin these standards.
